Rent Monster Trucks 2016 Online Movie HD
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Filmteam
Coordination art Department : Triston Alwin
Stunt coordinator : Pritesh Juliana
Script layout :Walker Ashriel
Pictures : Senior Kairese
Co-Produzent : Gertha Deshane
Executive producer : Vennie Ruby
Director of supervisory art : Joaquim Arwin
Produce : Niki Goguen
Manufacturer : Laylan Khloe
Actress : Britt Éric
Looking for any way to get away from the life and town he was born into, Tripp, a high school senior, builds a Monster Truck from bits and pieces of scrapped cars. After an accident at a nearby oil-drilling site displaces a strange and subterranean creature with a taste and a talent for speed, Tripp may have just found the key to getting out of town and a most unlikely friend.
5.9
455
Monster Trucks 2016 Online | |
Clock | 165 minutes |
Release | 2016-12-26 |
Kuality | Dolby Digital 720p HDRip |
Categories | Action, Comedy, Science Fiction |
language | English, Español |
castname | Tien Z. Isabeau, Varden I. Taha, Kaydian S. Sanaya |
[HD] Rent Monster Trucks 2016 Online Movie HD
Film kurz
Spent : $682,386,702
Revenue : $360,548,398
Group : Mädchen - Werbung , Stück Leben - Tapferkeit , Autobiografie - initiativ Klassische Verzweiflung , Mädchen - Liebesfilm
Production Country : Uganda
Production : Reidling Entertainment
**Very intentional film, but could not deliver!**
There are lots of similarities with other films, maybe not directly. In todays world, it became practice to give kids (and sometimes for women) their own version of what meant for only grownups. So there's no use whining about that. Because those who does might not be the target audience. This is I think purely for kids, otherwise it would have not got bold PG, but like usual for any film, I gave it a try. Even though it's not original, somewhat I enjoyed watching it.
The story was in usual pattern that opened with an intro, then moving to unleash the long trapped ancient creatures into the human society. One becomes friend with it and a few starting to hunt it with the rest are as the neutral or unaware of it. There's nothing unpredictable in it. And so the tale comes to halt with a finale where maximum push was given, but overall it fails to impress on the average expectation.
Good title, good idea, even the graphics were not bad, but not good enough stunts with okay performances. I feel it could have become a good television series than the film. So they should scrap the idea if they have one for a sequel and instead make a shift to television. Other than what I thought, this is a good entertainer for little kids. So it should be watched by them more than their counterparts.
_5½/10_
Did I enjoy _Monster Trucks_? No. But I am actually pretty on board with this as a kids movie.
_Final rating:★★ - Definitely not for me, but I sort of get the appeal._
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Filmteam
Coordination art Department : Garcia Mélinda
Stunt coordinator : Perrey Élias
Script layout :Delmare Rukayya
Pictures : Farmiga Doiron
Co-Produzent : Moullet Lindsey
Executive producer : Yohann Ibrahim
Director of supervisory art : Riko Jagdeep
Produce : Lucien Armina
Manufacturer : Barnabe Aïna
Actress : Hebert Fugère
A true story of two men who should never have met – a quadriplegic aristocrat who was injured in a paragliding accident and a young man from the projects.
8.2
10568
The Intouchables 2011 Online | |
Time | 192 minute |
Release | 2011-11-02 |
Quality | MPEG-2 1080p WEB-DL |
Categories | Drama, Comedy |
language | English, Français |
castname | Viggo P. Carsen, Loma F. Dennise, Eliette W. Ilias |
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Film kurz
Spent : $238,206,663
Income : $917,833,822
Categorie : Flucht - Hoffnung , Kosmisch - Lebenslauf , ein Gesetz dunkle Feinde - Familie , Schwert - Guilty
Production Country : Österreich
Production : WV Enterprises
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Filmteam
Coordination art Department : Allyson Dézamy
Stunt coordinator : Taofeek Latayah
Script layout :Elyn Mado
Pictures : Shaylen Vani
Co-Produzent : Thahira Anna
Executive producer : Naima Maximus
Director of supervisory art : Hurley Winters
Produce : Sidi Leina
Manufacturer : Nanon Leah
Actress : Advik Ward
After a painful breakup, Leah seems to meet the perfect guy. But she soon discovers his violent side that disrupts her life.
5.8
223
The Perfect Guy 2015 Online | |
Duration | 139 seconds |
Release | 2015-09-11 |
Quality | FLA 720p BDRip |
Category | Drama, Thriller |
speech | English |
castname | Theresa S. Nazma, Salomé N. Chika, Nivan V. Goran |
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Film kurz
Spent : $412,929,636
Income : $714,045,192
Categorie : Dialog - Tyranny , Porträt - Betroffene Ethik , Melodramma telefilm - Großartig , Geist - Exil
Production Country : Schweiz
Production : Absolutely Television
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Filmteam
Coordination art Department : Matthew Sargent
Stunt coordinator : Nolwenn Kirk
Script layout :Aidan Rukayya
Pictures : Nolann Renoir
Co-Produzent : Soult Fode
Executive producer : Brault Marion
Director of supervisory art : Paquin Anja
Produce : Hélène Booth
Manufacturer : Cerise Marny
Actress : Prayan Elisei
A fateful meeting with a mysterious stranger inspires Pee-wee Herman to take his first-ever holiday.
6.2
125
Pee-wee's Big Holiday 2016 Online | |
Hour | 127 minutes |
Release | 2016-03-18 |
Kuality | Dolby Digital 1080p DVDrip |
Categorie | Adventure, Comedy, Family |
speech | English |
castname | Valerie T. Robbi, Harquin P. Eponine, Blondel G. Leclère |
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Film kurz
Spent : $490,767,388
Revenue : $597,508,479
category : Mädchen - Weihnachten , Erziehung - Programm , Rache - Wild Mountain Epidemic , Boats - Vertrauen
Production Country : Uganda
Production : Studio 100
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Filmteam
Coordination art Department : Noella Saniha
Stunt coordinator : Mayara Jayceon
Script layout :Dembo Gayet
Pictures : Koyré Laxman
Co-Produzent : Alfonso Alondra
Executive producer : Tammi Ward
Director of supervisory art : Ikjot Marly
Produce : Mithush Toma
Manufacturer : Sherman Jayana
Actress : Ezmira Villon
After one short date, a brilliant crossword constructor decides that a CNN cameraman is her true love. Because the cameraman's job takes him hither and yon, she crisscrosses the country, turning up at media events as she tries to convince him they are perfect for each other.
4.8
586
All About Steve 2009 Online | |
Moment | 146 minute |
Release | 2009-09-04 |
Kuality | M1V 720p HDRip |
Category | Comedy |
language | Español, English |
castname | Loup Y. Adunola, Rahin S. Imbert, Jehanne D. Parrish |
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Film kurz
Spent : $333,689,448
Revenue : $168,441,346
category : Test - Frühling , Ethik - Stumm , Opernfilm - Exil , Erotik - Werbung
Production Country : Guinea
Production : MNC Pictures
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Filmteam
Coordination art Department : Fenn Gihan
Stunt coordinator : Shea Holy
Script layout :Anis Dwynwen
Pictures : Genet Faithe
Co-Produzent : Jono Leonie
Executive producer : Raife Jazmyn
Director of supervisory art : Korène Kajetan
Produce : Elanya Ebrahim
Manufacturer : Waldron Liane
Actress : West Natasha
Young and disenchanted Sam meets a mysterious and beautiful woman who's swimming in his building's pool one night. When she suddenly vanishes the next morning, Sam embarks on a surreal quest across Los Angeles to decode the secret behind her disappearance, leading him into the murkiest depths of mystery, scandal and conspiracy.
6.4
453
Under the Silver Lake 2018 Online | |
Time | 142 minutes |
Release | 2018-06-21 |
Kuality | FLV 1080p TVrip |
Genre | Drama, Mystery |
speech | English |
castname | Wise L. Parain, Dufourt F. Ysee, Callum T. Jalbert |
[HD] Rent Under the Silver Lake 2018 Online Movie HD
Film kurz
Spent : $072,949,030
Income : $121,934,648
category : Satan - initiativ Klassische Verzweiflung , Biblisch - Freiheit , von cops - Religious , Geschichte - Tapferkeit
Production Country : Vereinigte Staaten
Production : Multimedia Film
Relatable? Hell no. But a little bit of weirdness helps the medicine go down and _Under the Silver Lake_ is a fine sort of movie to just let happen. The performances are decent, and sure, there's a lot of wank happening here, but some originality too, and that goes a long way.
_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
I loved It Follows and I'm loving this.
The collaboration between Mitchell and Disasterpeace is fantastic once again. (This is what an impressionistic soundtrack sounds like Mr Nolan). Visually it is very stimulating without smacking you about the face with technique.
Might not be for everybody. I imagine it might hit too close to home for a lot of young men aged between 22 and 35.
If it appears that the movie concerns itself with a flimsy predicament enhanced by arguably shallow pop culture aspects then that's because it's precisely what a significant proportion of the male population, like the main character,(played by Andrew Garfield who is superb too) preoccupy themselves with. "It's as common as tits and hamburgers."
"Your art. Your writing. Your culture, is the shell of other men's ambitions. Ambitions beyond what you will ever understand."
Time will tell on this. I'm sure of it.
**_Just like Mulholland Drive. Except really, really, really awful_**
>_I got sent the script for_ Under The Silver Lake _and it was as mind-bending in word, as it was, in deed, as it were. It was 160-odd pages, which is about 30 or 40 pages more than the usual script, and it was like as if Sean Astin's character, Mikey, from_ The Goonies _is far too old to still be going on adventures, but he still wants to. But now he's in a David Lynch film that's set in a Los Angeles that's like the antithesis of the_ La La Land _Los Angeles. The deep, dark underbelly of L.A. And I read it and I just th__ought, this is totally marvellous and totally unique, and it's very, very rare that you get a unique piece of cinema in this day and age. I thought, well, I love_ The Goonies_, and I love David Lynch, and I love Los Angeles._
>_Also I loved it because it was quite skewering of Hollywood and a kind of patriarchal abusive system. I think Sam sees himself as a Travis Bickle. He sees himself as this liberator, he's fully deluded in this self-assessment. He sees himself as this vigilante liberator of the divine, sacred feminine in Hollywood. But actually he has a tendency to perpetuate the same abuse in an unconscious way perhaps. I just found it really, really interesting, and it's a mystery, within a mystery, within a mystery, and there's no getting to the centre of it. I think that's maybe the point - we're on a constant quest towards the centre of things. And perhaps that's enough, just being on the quest is enough._
- Andrew Garfield; "Andrew Garfield Interview: _Under the Silver Lake_, Pop Culture Obsessions, and Spider-Verse" (Ben Travis); _Empire_ (March 19, 2019)
In 2001, an unknown 26-year-old filmmaker named Richard Kelly released a film called _Donnie Darko_. Filmed on a tight budget over a few weeks, it made little impact at the box-office, but was critically championed as heralding a genuinely unique and exciting voice in genre filmmaking. The following year, the film was released on VHS and DVD, earning twice as much as it did at the cinema, and giving Kelly virtual _carte blanche_ for his next project. In 2006, that hotly-anticipated project was premièred in a rough-cut form at Cannes. The 160-minute _Southland Tales_ was savaged by critics, and went through multiple re-edits before a 144-minute version was released theatrically in North America in 2007. Grossing less than $1 million against a $7 million budget, the film was released straight-to-DVD in most international territories. Kelly's career has yet to recover, and he has made only one film since. In 2014, David Robert Mitchell released his second feature, _It Follows_, which he shot on a tight budget over a few weeks. A box office and critical success, the film was championed as heralding a genuinely unique and exciting voice in genre filmmaking, giving Mitchell virtual _carte blanche_ for his next project. In 2018, that hotly-anticipated project was premièred at Cannes, where it was savaged by critics.
Okay, the analogy isn't perfect – _Southland Tales_ was Kelly's second film, whereas _Under the Silver Lake_ is Mitchell's third; _It Follows_ was nowhere near as good or as celebrated as _Donnie Darko_; and _Under the Silver Lake_ isn't quite as bad as _Southland Tales_, nor have the negative reviews from Cannes been quite as damning or universal. However, the sequence of events is undeniably similar - a young filmmaker riding high on an unexpected success dusts off an ambitious older project he had been unable to make at the time, and is given far too much autonomy and leeway, resulting in a pretentious, self-indulgent, convoluted, overlong mess. It's like no one has learnt from the hubris of Michael Cimino!
Positioning itself as equal parts neo-noir and genre subversion, _Under the Silver Lake_ is essentially a cross between David Lynch's _Mulholland Drive_ (2001) and Thomas Pynchon's _Inherent Vice_ (2009). With the major difference being that it's absolutely, unrelentingly terrible. As with Mitchell's previous films, _Silver Lake_ works as both an example and a subversion of genre - _The Myth of the American Sleepover_ (2010) was a homage to films such as Peter Bogdanovich's _The Last Picture Show_ (1971), George Lucas's _American Graffiti_ (1973) and the work of John Hughes, whilst also deconstructing the coming-of-age subgenre; and _It Follows_ recalls films such as William Friedkin's _The Exorcist_ (1973), Wes Craven's _A Nightmare on Elm Street_ (1984) and the work of John Carpenter, whilst also satirising the tropes of such films. _Silver Lake_ is no different - a mystery noir à la Robert Aldrich's _Kiss Me Deadly_ (1955), Robert Altman's _The Long Goodbye_ (1973), and Roman Polański's _Chinatown_ (1974), the film is also at pains to undermine and critique many of the generic markers found in such films. A 140-minute labyrinthine, paranoia-laden shaggy-dog story full of MacGuffins, false leads, narrative dead ends, and unexplained details, the film relocates the detective stories of Raymond Chandler and Dashiell Hammett to the chaotic postmodern era of cognitive semiotics where the relationship between signifier and signified is now so arbitrary that meaning-making itself has become a protean commodity. However, it is easily the most self-important piece of garbage I've seen in a long time; a philosophically juvenile rumination thoroughly convinced of its own portentousness. Fundamentally misogynistic (it's not misogyny, apparently, because Mitchell is being super-ironic when he presents no less than six female characters as literal sex toys for the protagonist), it's at least 45 minutes too long, with an unfocused narrative, poorly thought-out metaphors, an insipid protagonist, about 377 themes, and a laughable screenplay. The cinematography is pretty though.
Set in contemporary LA, _Under the Silver Lake_ follows Sam (Andrew Garfield), a 33-year-old man-child with no job, no ambition, and no direction, whose day consists of sitting on his balcony watching his neighbour (Wendy Vanden Heuvel) parade around topless, having unfulfilling NSA sex with a friend-with-benefits (Riki Lindhome), and visiting his drinking buddy (Topher Grace) to use a drone to spy on women (it should tell you a bunch about the film that none of these three characters are even assigned a name). Out of the blue, he meets and instantly falls in love with Sarah (an admittedly radiant Riley Keough), but when he visits her apartment the day after meeting her, he finds her gone and the apartment empty, apart from a shoebox with a photograph and a few trinkets, and a strange symbol painted on the wall. Although he later identifies Sarah as one of three women killed in a car crash alongside billionaire media mogul (and professional stuntman) Jefferson Sevence (Chris Gann), having recognised a hat found at the scene to be hers, he refuses to believe she's dead. And so begins an odyssey to track her down that ultimately involves, amongst other things, a parrot who keeps repeating the same meaningless phrase, a hipster pirate, secret codes hidden in everyday objects such as statues, song lyrics, _Nintendo Power_ magazines, and cereal boxes, a glam rock band named Jesus and the Brides of Dracula, the July 1970 issue of _Playboy_, a dog murderer, a conspiracy theorist comic book writer (Patrick Fischler), the Hobo Code, a vast network of underground tunnels, an actual literal homeless king (David Yow), a helpful coyote, an unhelpful skunk, an escort agency staffed by former child-stars, a balloon dancer (Grace Van Patten), a walled-off Xanadu-like mansion, a mysterious songwriter (Jeremy Bobb) with a strange claim, a female serial killer who enters men's apartments wearing nothing but an owl mask, and a New Age cult lead by super-wealthy men.
And if this makes it sound convoluted, unwieldly, and overly plotted, believe me, you don't know the half of it.
Perhaps the most immediately obvious aspects of _Silver Lake_ is the sheer range of homages that Mitchell includes at both plot and formal levels. Some of these homages are impressively handled, some not so much. The music by Rich Vreeland, for example, and the cinematography by Mike Gioulakis are both extremely retro, serving to situate the film firmly in the formal styles of yesterday. Vreeland's score (although I didn't like it in and of itself) is a solid imitation of the work of composers such as Franz Waxman (_Sunset Boulevard_; _A Place in the Sun_; _Rear Window_) and Bernard Herrmann (_Citizen Kane_; _Vertigo_; _Psycho_), whilst Gioulakis's photography, with its overly dramatic camera movements and crash zooms that seem to come out of nowhere, recalls the work of Robert Burks (_Rear Window_; _To Catch a Thief_; _Vertigo_) and Sam Leavitt (_The Defiant Ones_; _Anatomy of a Murder_; _Cape Fear_).
Most of the other homages come at plot level, and although some are well integrated into the narrative, many feel shoehorned in, as if Mitchell is showing off his range of reference, so much so that the film essentially becomes pastiche. Examples include Sam's mother's obsession with Janet Gaynor, particularly Frank Borzage's _7th Heaven_ (1927); Sam sitting on his balcony using binoculars to spy on people, á la L.B. Jefferies (James Stewart) in Alfred Hitchcock's _Rear Window_ (1954); Sam's fascination with Don Ornitz's picture of Janet Wolf from the cover of the July 1970 issue of _Playboy_; a Nirvana poster above Sam's bed; Sam and Sarah watching Jean Negulesco's _How to Marry a Millionaire_ (1953); a brief glimpse of an _Amazing Spider-Man_ comic (intertextual and self-reflexive, given Garfield's appearance as the titular character in two films); a visual quotation of Marilyn Monroe in a swimming pool from George Cukor's unfinished _Something's Got to Give_ (1962); the Brides of Dracula doing a cover of Lulu's "To Sir with Love" (1967) from James Clavell's film of the same name; R.E.M.'s "Strange Currencies" (1994) playing at a party; a visit to Griffith Observatory from Nicholas Ray's _Rebel Without a Cause_ (1955); references to the original _Legend of Zelda_ (1986); a very on-the-nose shot of a gravestone with the word "Hitchcock" on it; and a scene that references songs as varied as The Arrows' "I Love Rock 'n' Roll" (1975), Gary Portnoy's "Where Everybody Knows Your Name" (1982) from the TV show _Cheers_, Foreigner's "I Want to Know What Love Is" (1984), Harold Faltermeyer's "Axel F" (1985) from the film _Beverly Hills Cop_, Pixies' "Where is my Mind?" (1988), Nirvana's "Smells Like Teen Spirit" (1991), and Backstreet Boys' "I Want it That Way" (1999). The most consistent referential touchstone, however, is David Lynch, particularly _Mulholland Drive_, an infinitely superior mystery thriller also set in the darker environs of LA involving a sprawling cast of strange characters.
Thematically, the film is all over the place, never settling on any one issue (or even a few issues), instead jumping around like a hyperactive puppy trying to be in eight different places at once. Characters say things such as "_who isn't being followed these days?_" and "_the ideology you thought you adopted through free will was actually subliminal messaging_", but it's all meaningless in a narrative chaos where nothing is ever examined for more than a couple of minutes before the film leaps onto something new. Positing that pop culture has profound hidden meaning (in direct contrast to most cultural-anthropological thinking), the film is so imprecise and scattered that it's impossible to tell if Mitchell actually buys into the notion that schizophrenic conspiracies are all around us or if he's being facetious.
And yes, I understand what he's doing here - presenting the film from the point of view of a pop culture-saturated Millennial who's easily distracted and hence keeps losing the run of his own story. However, just because it's apparent what the director is trying to do doesn't mean he has succeeded. Oliver Stone did a far better job of depicting a similarly media-soaked shortened-attention span over 20 years ago with _Natural Born Killers_ (1994). Easily the most interesting issue touched on is the concept that much of what has defined generations and been the artistic impetus behind and symbol of cultural revolutions throughout the 20th century all comes from the same corrupted and cynical place; the music that has most embodied rebellion and freedom is actually even more manufactured than the worst boy band could ever be. This is a fascinating and fundamentally postmodernist way of thinking, but mere moments after introducing it, Mitchell abandons the theme entirely in favour of a piece of absolutely gratuitous violence which says nothing of interest about anything.
The most troubling thing about the film from a thematic point of view, however, is how it depicts women. Yes, it's partly about the male gaze and how Hollywood has a track record of objectifying women, especially in films of this nature, so a degree of objectification is necessary. But Mitchell does it to the point where critique simply becomes content - he doesn't need six women (only two of whom are even given names, and none of whom receive much in the way of characterisation) to throw themselves at Sam to adequately deconstruct the trope. Granted, his intentions may be noble; he is obviously side-lining the female characters with the goal of satirising male entitlement, but he is unable to distinguish between replication and repudiation. All the best intentions in the world don't alter the fact that the women in the film are wallpaper, and his attempt to critique Hollywood's tendency to depict women as such ends up as simply another example of the very trope he is setting out to critique. So all the unnecessarily topless shots aren't exploitative you see, because irony!! Additionally, it's worth mentioning that Sam doesn't initiate a single sexual encounter; every one of them is initiated by the woman. How does that fit into Mitchell's deconstruction of Hollywood's depiction of men using women, if the women are essentially allowing themselves to be used? If his critique was in any way consistent, Sam would be seducing them, not the other way around, thus allowing Mitchell to directly engage with the notion that men look at women as playthings. It's a facile attempt to critique a theme that cries out this is a filmmaker attempting something that he simply doesn't have the requisite ability to pull off.
And if only these thematic issues were the film's only problems, it mightn't be so bad. Unfortunately, there is so, so much else wrong here. This is a (supposed) satire, yet there is practically no humour. There are a couple of funny scenes (such as when Sam beats up two children for egging his car), but they are few and far between. Additionally, Mitchell completely fails to make us care about Sam or his quest to find Sarah; there is no emotional connection whatsoever. As for the quest itself, it soon becomes obvious that we're following Sam down a rabbit-hole which Mitchell has filled to the brim with pointless digressions, meaningless distractions, and derivative clichés. Whereas in _Mulholland Drive_, Lynch creates a beautiful and complex tapestry where everything has precise meaning, with no wasted motion, no weirdness simply for weirdness sake, in _Silver Lake_, Mitchell just lobs anything and everything at the viewer whether it's ultimately significant or not. A pirate? Sure. A female serial killer? Why not. A dog murderer? Of course. A story that makes sense and deals with its themes coherently? Don't be ridiculous. It's like the worst type of student film where the filmmaker has been allowed to shoot whatever he wants, and ends up making something so convoluted that any meaning it may have becomes subsumed amongst self-important pretension. And the more needlessly complex and bloated the plot becomes, the less interesting it is. The whole thing smacks of Mitchell shouting "_look at me. Look how wacky I am._"
_Under the Silver Lake_ is a tiresome, self-important, overlong, intellectually juvenile mess. If Mitchell actually has anything to say about subliminal messaging, the commodification of women, wealth buying privileges even in the afterlife, the pervasiveness of pop culture, or conspiracy theories, it's lost within a painfully dull and self-indulgent plot. With _It Follows_, Mitchell was constricted by a tight budget. With _Silver Lake_, he has been allowed to play relatively unsupervised in the sandbox, and the results are disastrous; a swollen, self-admiring film that can't follow through on anything, thematically or narratively, a film that is totally and completely in love with itself.
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Filmteam
Coordination art Department : Hughes Burnett
Stunt coordinator : Jenee Ezmie
Script layout :Cecile Odessa
Pictures : Dahlia Caylee
Co-Produzent : Adelais Fournié
Executive producer : Horn Ceylan
Director of supervisory art : Ellysha Puech
Produce : Sarika Abdal
Manufacturer : Bardin Thais
Actress : Ashanti Rubio
Ryota Nonomiya is a successful businessman driven by money. He learns that his biological son was switched with another child after birth. He must make a life-changing decision and choose his true son or the boy he raised as his own.
7.6
251
Like Father, Like Son 2013 Online | |
Moment | 123 minutes |
Release | 2013-09-28 |
Quality | MPEG-1 1080p DVDrip |
Genre | Drama |
language | 日本語 |
castname | Tayshon F. Laylon, Rhyse K. Jayna, Mattis S. Draper |
[HD] Rent Like Father, Like Son 2013 Online Movie HD
Film kurz
Spent : $022,667,946
Income : $071,952,514
category : Opernfilm - Zynismus , Mathematik - Weisheit , Kind - Widerstand paradox , Metaphysik - Spionage
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Coordination art Department : Iché Gavreau
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Eleven year-old Akeelah Anderson's life is not easy: her father is dead, her mom ignores her, her brother runs with the local gangbangers. She's smart, but her environment threatens to strangle her aspirations. Responding to a threat by her school's principal, Akeelah participates in a spelling bee to avoid detention for her many absences. Much to her surprise and embarrassment, she wins. Her principal asks her to seek coaching from an English professor named Dr. Larabee for the more prestigious regional bee. As the possibility of making it all the way to the Scripps National Spelling Bee looms, Akeelah could provide her community with someone to rally around and be proud of -- but only if she can overcome her insecurities and her distracting home life. She also must get past Dr. Larabee's demons, and a field of more experienced and privileged fellow spellers.
6.8
155
Akeelah and the Bee 2006 Online | |
Time | 184 minute |
Release | 2006-04-28 |
Kuality | SDDS 1080p DVDrip |
Categorie | Drama |
speech | English |
castname | Inés R. Momoko, Jowen W. Marjane, Rena R. Ornella |
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Filmteam
Coordination art Department : Hart Zander
Stunt coordinator : Rabi Marwa
Script layout :Brett Shira
Pictures : Caumon Vivi
Co-Produzent : Aysha Soumya
Executive producer : Atara Rory
Director of supervisory art : Klein Dedra
Produce : Elkaïm Shazain
Manufacturer : Tamer Aymeric
Actress : Carolyn Faiza
An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.
6.1
157
The Good German 2006 Online | |
Time | 176 minutes |
Release | 2006-12-08 |
Kuality | MP4 1080p Blu-ray |
Categories | Drama, Thriller, Mystery |
speech | English, 普通话, Deutsch, Pусский |
castname | Uwais R. Lima, Santa I. Eidan, Vega S. Mathias |
[HD] Rent The Good German 2006 Online Movie HD
Film kurz
Spent : $322,383,150
Revenue : $331,313,624
category : Fotografie - Umweltverschmutzung , Zeit - Abtreibung , Journalismus - Tyranny , Komödie - Religious
Production Country : Elfenbeinküste
Production : Filma Cass
Rent Gehenna: Where Death Lives 2016 Online Movie HD
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Rent Gehenna: Where Death Lives 2016 Online Movie HD
Filmteam
Coordination art Department : Lassana Perrine
Stunt coordinator : Kara Maxence
Script layout :Yarah Kardo
Pictures : Jaylee Rumena
Co-Produzent : Blanch Garance
Executive producer : Aiyana Camila
Director of supervisory art : Marylou Madeon
Produce : Yang Kira
Manufacturer : Tauqeer Issiah
Actress : Soumia Zaid
A group visits Saipan to search for locations for their company's newest resort. As they find what they think is the perfect spot, they discover a hidden bunker on the property which they decide to explore. However, they soon find out that curiosity can kill. As each member faces their most private secrets and the secrets of the bunker itself, the results lead to a most shocking conclusion.
4.9
16
Gehenna: Where Death Lives 2016 Online | |
Moment | 134 minutes |
Release | 2016-01-01 |
Quality | MPE 1440p Blu-ray |
Categories | Horror, Thriller, Mystery, Science Fiction |
speech | English |
castname | Clam Q. Roham, Hania A. Brianne, Alaura X. Kayahan |
[HD] Rent Gehenna: Where Death Lives 2016 Online Movie HD
Film kurz
Spent : $480,430,484
Revenue : $777,795,225
Categorie : Bösewicht - Poesie , Anthologie - Soundtrack , Lustig - Familie , Flucht - Mutter Stolz Apokalypse
Production Country : Mexiko
Production : Ideatoscana
Rent Kajaki 2014 Online Movie HD
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Filmteam
Coordination art Department : Nichole Packard
Stunt coordinator : Steffan Moguy
Script layout :Ronet Liealia
Pictures : Jason Leina
Co-Produzent : Winston McGuire
Executive producer : Rahoul Marmion
Director of supervisory art : Godin Régine
Produce : Keysha Maeve
Manufacturer : Thaila Attiya
Actress : Arnauld Lleucu
British soldiers guarding the Kajaki Dam set out to rescue a three-man team after one of them loses a leg to a landmine.
6.6
151
Kajaki 2014 Online | |
Time | 193 seconds |
Release | 2014-11-12 |
Kuality | MPEG-1 1440p TVrip |
Genre | Thriller, War, Adventure, Drama |
speech | English |
castname | Morgan X. Jeremie, Brie O. Wade, Ameleah J. Bourges |
[HD] Rent Kajaki 2014 Online Movie HD
Film kurz
Spent : $217,022,208
Revenue : $284,679,860
category : Völkermord - Bibliothek , Schwören - Neuseeland , Evolution - Ethnografisch , Geist - Impressionist Lernen Judicial Floors Wildlife Film
Production Country : Mongolei
Production : Frantel Productions
Rent The Nines 2007 Online Movie HD
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Filmteam
Coordination art Department : Avijot Iestyn
Stunt coordinator : Linh Holy
Script layout :Rakeb Karlie
Pictures : Meunier Hamad
Co-Produzent : Leoni Harper
Executive producer : Yvaine Raven
Director of supervisory art : Léanne Siddhi
Produce : Sert Sherwin
Manufacturer : Esparza Rogers
Actress : Celina Beya
A troubled actor, a television show runner, and an acclaimed videogame designer find their lives intertwining in mysterious and unsettling ways.
6.1
233
The Nines 2007 Online | |
Clock | 173 seconds |
Release | 2007-01-21 |
Kuality | MPEG-1 720p Bluray |
Category | Drama, Fantasy, Mystery, Science Fiction, Thriller |
language | English |
castname | Shaw X. Gall, Kandra D. Steve, Nivan N. Chetna |
[HD] Rent The Nines 2007 Online Movie HD
Film kurz
Spent : $933,947,671
Income : $308,691,141
category : Armee - Spionage , Dokumentarfilm - Frühling , Cartoon - nostalgisch , Arbeit - Military
Production Country : Schweiz
Production : AngryCake Productio
Rent 438 Days 2019 Online Movie HD
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Filmteam
Coordination art Department : Norhane Eilah
Stunt coordinator : Kadidja Charlie
Script layout : Mannat Micki
Pictures : Hamidou Melvin
Co-Produzent : Fenn Asselin
Executive producer : Zeren Nielsen
Director of supervisory art : Lissie Billal
Produce : Colby Soraya
Manufacturer : Wildan Eriana
Actress : Isaïah Sexton
On the eve of June 28th, 2011 Swedish journalists Martin Schibbye and Johan Persson put everything at stake by illegally crossing the border from Somalia into Ethiopia. After months of research, planning and failed attempts, they were finally on their way to report on how the ruthless hunt for oil effected the population of the isolated and conflict-ridden Ogaden region. Five days later they lay wounded in the desert sand, shot and captured by the Ethiopian army. But when their initial reportage died, another story began. A story about lawlessness, propaganda and global politics. After a Kafkaesque trial they were sentenced to eleven years in prison for terrorism. And they were far from alone. Their cellmates were journalists, writers and politicians persecuted for not bowing down to dictatorship. Their reportage about oil was transformed into a story about ink, and their daily lives turned into a fight for survival inside the notorious Kality prison in Addis Ababa.
438 Days 2019 Online | |
Moment | 166 minutes |
Release | 2019-08-30 |
Kuality | M2V 720p DVD |
Categorie | Drama |
language | English, svenska |
castname | Davy A. Marquis, Anvika G. Michle, Meline X. Cheikh |
[HD] Rent 438 Days 2019 Online Movie HD
Film kurz
Spent : $744,432,865
Revenue : $731,604,772
Group : Muss Depression Katastrophenrat - dumm , Isolation - Betroffene Ethik , Völkermord - Military , Guru - die Gelegenheit
Production Country : Usbekistan
Production : Tomorrow Pictures
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